{"id":3594,"date":"2022-03-09T11:04:03","date_gmt":"2022-03-09T11:04:03","guid":{"rendered":"https:\/\/galerieballesteros.fr\/frederic-cordey\/"},"modified":"2022-03-25T16:03:42","modified_gmt":"2022-03-25T16:03:42","slug":"frederic-cordey","status":"publish","type":"page","link":"https:\/\/galerieballesteros.fr\/en\/frederic-cordey\/","title":{"rendered":"Frederic Cordey"},"content":{"rendered":"
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Frederic Cordey (1854 \u2013 1911)<\/h2><\/div>
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Fr\u00e9d\u00e9ric Samuel Cordey evolves with the Impressionists, he presents four paintings with the group for the fourth Impressionist exhibition in 1877.<\/p>\n

Pupil of Isodor Pils and Gustave Boulanger at the School of Fine Arts in Paris, he was part of the group (Monet, Renoir, Pissarro, Sisley) who rebelled against academic teaching to follow the path of Impressionism. . <\/span><\/p>\n

The artist took part in the Salon d’Automne in 1903. He rarely exhibits and art critics are rave about him. A retrospective exhibition took place at the Galerie Choiseul in Paris in 1913. His wealth allows him to work according to his own aspirations without depending on criticism and help from merchants.<\/p>\n

Appreciated by Gustave Caillebotte and particularly linked to Auguste Renoir, he <\/span>is featured in several paintings by the artist, including the “Bal du moulin de la galette”. Attentive landscape painter, he likes to depict the surrounding nature; If the Auxerre countryside is one of the painter’s favorite places, he stays not far from Camille Pissarro in Neuville-sur-Oise as well as in Eragny-sur-Oise.<\/p>\n<\/div><\/div><\/div>

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MUSEUMS<\/h2><\/div>
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\u2022 In Paris: Madame Cordey doing tapestry<\/i> , <\/span>1879, Paris, Musee d’Orsay<\/p>\n

\u2022 In France: Dish of peaches,<\/i> 1906, Museum of Fine Arts of Nevers, prefecture of Ni\u00e8vre<\/p>\n<\/div><\/div><\/div>

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BIBILIOGRAPHY<\/h2><\/div>
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\u2022 Article by Adolphe Thalasso, \u201cExposition F.-S. Cordey”, in Art and artists, monthly review of ancient and modern art, Oct. 1913-3 Feb. 1914, p. 237<\/p>\n

\u2022 Andr\u00e9 Roussard, Dictionary of painters in Montmartre in the 19th and 20th centuries<\/p>\n

\u2022 Cat. of exp. Christophe Duvivier, Painters and the Oise, the painter-engravers of the Oise Valley, [exhibition \u201cPainters and the Oise, the painter-engravers of the Oise Valley\u201d, Pontoise, Mus\u00e9e Tavet- Delacour, 26 Feb. to Sept. 23, 2007], Pontoise ed. from the museum, 2007<\/p>\n

\u2022 Sophie Monneret, Impressionism and its time, Paris, Robert Laffont, 1987<\/p>\n<\/p>\n


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Credits: <\/font><\/font><\/p>\n

\u2022 The Conversation<\/i> (representing the painter Cordey and one of his favorite models, Marguerite Legrand, known as “Margot”) by Auguste Renoir, 1879. \u00a9 Nationalmuseum, Stockholm<\/p>\n

\u2022 Portrait of a man<\/a><\/i> \u00a9 Galerie Ballesteros, 2022<\/font><\/font><\/p>\n<\/div><\/div><\/div>

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