{"id":9079,"date":"2024-01-22T11:34:38","date_gmt":"2024-01-22T11:34:38","guid":{"rendered":"https:\/\/galerieballesteros.fr\/portfolio-items\/still-life-by-eugene-gen-paul-1895-1975\/"},"modified":"2025-05-05T09:16:40","modified_gmt":"2025-05-05T09:16:40","slug":"still-life-by-eugene-gen-paul-1895-1975","status":"publish","type":"avada_portfolio","link":"https:\/\/galerieballesteros.fr\/en\/portfolio-items\/still-life-by-eugene-gen-paul-1895-1975\/","title":{"rendered":"Still life by Eug\u00e8ne GEN PAUL (1895 – 1975)"},"content":{"rendered":"

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Eug\u00e8ne Gen Paul<\/h2>\n

Still life with fruit bowl and bouquet of flowers by Gen Paul, 1927. An expressionist, cheerful work in shimmering colors.<\/strong><\/p>\n

Oil on canvas
\nSigned upper right
\ndated 1927 on back
\nDimensions: 81.5 x 65 cm
\nWith frame: 104 x 88 cm<\/h6>\n
Price : sold<\/h6>\n
<\/div><\/div><\/span><\/h6>\n

The fiery years of 1925-1930, Gen Paul’s best years.<\/h3>\n

Between abstraction and figuration, in the 20s Gen Paul painted above all what he loved. he’s full of gaiety, and our painting is a testament to that.
\nGen Paul, eager for life and movement, snatches up a bowl of fruit and a colorful bouquet, which he then throws wildly onto his canvas in a joyful, orderly mess.<\/p>\n

<\/h3>\n

Gen Paul one of the masters of French Expressionism,<\/h3>\n

Gen Paul depicts a still life with a bowl of fruit and a bouquet of flowers. He uses extraordinary technical virtuosity.The vase and bowl are delicately marked with a few brushstrokes; the beauty of the art of suggestion, they take on shape and consistency. White occupies an important place. Spots of bright color splash against it. The painter completes his fireworks display with a few black brushstrokes. An economy of means that denotes his artistic talent.<\/p>\n

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Biography<\/span><\/h4>\n<\/div>\n
Gen Paul was born at 96, rue Lepic, in a house that Van Gogh depicted in one of his paintings. His mother was an embroiderer and his father a caf\u00e9 musician. Being born on rue Lepic was a good sign, and Gen Paul hasn’t changed neighborhoods since. Memories fill his eyes, his head and his palette. Leaving the rue Lepic communale in the evening, he was already fascinated by this strange, elegant, wonderfully-dressed dwarf who then had his studio nearby, on rue Tourlaque: Toulouse Lautrec. He knew the Bonnot gang, La Goulue and handcars.A painter born in Montmartre and living in Montmartre is first and foremost a painter, and Gen Paul didn’t spend his life painting the Sacr\u00e9 Coeur, the Moulin Rouge and rue Lepic.<\/div>\n
\n

He began painting at an early age. His apprenticeship was an original one: as an apprentice interior decorator, he looked around him in wealthy apartments.Passionate about painting and eager for knowledge, he observed the works collected by art lovers wherever his work took him. He also familiarized himself with human anatomy by getting to know surgeons and accompanying them into surgery rooms. He completed his training during the few years he spent at the \u00c9cole des Beaux-Arts in Paris.
\nIn 1913, he volunteered for the front and was wounded. A year later, a second injury led to the amputation of his right leg. Returning to Paris in 1916, he began to paint. His first oil painting – The Moulin de la Galette seen from his window – dates from 1916. From then on, Eug\u00e8ne Paul began his career as a painter. He painted numerous views of Paris to satisfy demand.He signed his first canvas “GEN-PAUL” in 1918. In 1920, he exhibited at the Salon d’Automne, and remained faithful to this institution, as well as to the Salon des Ind\u00e9pendants. He travels to Spain and confronts the masterpieces of the masters: Goya, El Greco, Velasquez… On his return, he makes even greater use of black in his compositions.
\nHis first solo exhibition took place at Galerie Bing in 1926. He illustrates several of C\u00e9line’s books, including Voyage au bout de la nuit and Mort au cr\u00e9dit in 1942. He also produced engravings, some of which were published in a collection entitled Vues de Montmartre.At the end of the Second World War, he made frequent trips to the United States and New York. At the time, he held the rank of general. In 1952, the Drouant-David gallery in Paris held a retrospective of his work.Apart from the annual events of the Paris art scene (the Salons), Gen Paul exhibited only exceptionally. Unaffected by success and fame, he never took a painting to a dealer. He refused to depend on any gallery. At the end of his life, he traveled frequently in France and Spain.<\/p>\n

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Bibliography<\/h4>\n

– Francis Carco, Gen Paul, \u00c9ditions de la Galerie Drouant-David, 1952.
\n– Andr\u00e9 Chamson, Collection Girardin, \u00c9ditions du Petit Palais, Paris, 1954.
\n– Raymond Nacenta, The School of Paris – The painters and the artistic climate of Paris since 1910, Osbourne Press, London, 1960.
\n– Fran\u00e7ois Gibault, C\u00e9line, cavalier de l’apocalypse (1944-1961), Mercure de France, 1961.
\n– Jean-Paul Crespelle, Montmartre vivant, Hachette, 1964. See chapter 8 (pp. 224-247): “Gen Paul, de la rue Lepic”.
\n– Les Muses – Encyclop\u00e9die des arts, \u00c9ditions Grange Baleli\u00e8re, 1972.
\n– Pierre Davaine (preface by Jean Miller), Gen Paul, \u00c9ditions I.G.E., 1974.
\n– Emmanuel David (interviews with Herve Le Boterf), Le m\u00e9tier de marchand de tableaux, \u00c9ditions France-Empire, 1978.
\n– Carlo a Marca (preface by Marc-\u00c9douard Nabe), Gen Paul, Trans\u00e9dition, 1986.
\n– Gabrielle Aber-Gen Paul, Guy Vignoht (“La Force de l’instinct d’un g\u00e9ant de l’expressionnisme”),
\n– Jeanine Warnod, Gen Paul, 1895-1975, exhibition catalog, Palais des Beaux-Arts, Menton, 1993.
\n– Chantal Le Bobinnec, Gen Paul \u00e0 Montmartre, \u00c9ditions Chalmin et Perrin, 1995.
\n– Andr\u00e9 Roussard and Carlo a Marca, Catalogue of the Gen Paul exhibition, Couvent des Cordeliers, 1995.
\n– G\u00e9rald Schurr, Le Guidargus de la peinture, Les \u00c9ditions de l’Amateur, 1996.
\n– Carlo a Marca, Joann a Marca, Gabrielle Aber-Gen Paul , Gen Paul (1895-1975), published by Hotel Spl\u00fcgenschloss, Zurich, 1998.
\n– Andr\u00e9 Roussard, Gen Paul. La biographie, \u00c9ditions Andr\u00e9 Roussard, 2006, 304 p. [online presentation [archive]].
\n– Jacques Lambert (preface by Claude Duneton), Gen Paul : Un peintre maudit parmi les siens, La Table Ronde, 2007
\n– Chantal Le Boubinnec (presentation by Claude Duneton), Gen Paul \u00e0 Montmartre, Les \u00e9ditions de Paris – Max Chaleil, 2007
\n– Francesco Rapazzini, Le Moulin Rouge en folies – Quand le cabaret le plus c\u00e9l\u00e8bre du monde inspire les artistes, Le Cherche Midi, 2016.
\n– Marie-France Coquard, “Gen Paul et Jean-Pierre Serrier, deux potes de Montmartre”, Revue Paris Montmartre.<\/p>\n

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Museums<\/h4>\n<\/div>\n
\n

– Posthumous group exhibitions include:
\n– Galerie Roussard, Paris (1999)
\n– Galerie Roussard, Paris (2002)<\/p>\n

. In Paris:<\/p>\n

– Mus\u00e9e d’Art Moderne de la Ville de Paris<\/p>\n

– Carnavalet Museum<\/p>\n

– Mus\u00e9e d’ Orsay<\/p>\n

– Petit Palais, Paris<\/p>\n

– National Museum of Modern Art<\/p>\n

– Center Pompidou<\/p>\n

– Bourdelle Museum<\/p>\n

– Center national des arts plastiques<\/p>\n

. Outside Paris :<\/p>\n

– Museum Toulouse, Les Abattoirs.<\/p>\n

– Granville Mus\u00e9e d’Art moderne Richard-Anacr\u00e9on,<\/p>\n

– Honfleur, Eug\u00e8ne-Boudin Museum Honfleur.<\/p>\n

– Menton, Museum of Fine Arts<\/p>\n

-Dunkerque, Lieu d’art et action contemporaine,<\/p>\n

. Abroad<\/p>\n

– Bern, Museum of Fine Arts .<\/p>\n

– Geneva, Petit Palais.<\/p>\n<\/div>\n

Source<\/h4>\n
https:\/\/fr.wikipedia.org\/wiki\/Eug\u00e8ne_Paul<\/div>\n
<\/div>\n
https:\/\/www.franceartdiffusion.com\/pages\/content\/gen-paul-fr\/gen-paul-louis-ferdinand-celine-montmartre-paris-expressionnisme-espressionism-eliane-bonabel.html<\/div>\n
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<\/i>Contact<\/span><\/a><\/div><\/div><\/div><\/div><\/div>
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