{"id":3809,"date":"2022-01-31T19:35:13","date_gmt":"2022-01-31T19:35:13","guid":{"rendered":"https:\/\/galerieballesteros.fr\/portfolio-items\/jean-marchand-1883-1940\/"},"modified":"2024-01-14T14:11:31","modified_gmt":"2024-01-14T14:11:31","slug":"jean-marchand-1883-1940","status":"publish","type":"avada_portfolio","link":"https:\/\/galerieballesteros.fr\/en\/portfolio-items\/jean-marchand-1883-1940\/","title":{"rendered":"Jean MARCHAND (1883 \u2013 1940)"},"content":{"rendered":"

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Jean Hippolyte Marchand<\/em><\/h2>\n
Still Life with Jug<\/em> , 1912<\/h6>\n
Oil on canvas
\nDimensions: 54 x 42cm
\nWith frame: 79 x 68 cm<\/h6>\n
sold<\/h6>\n
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The artist delivers here a Cubist still life, solid and austere, which the English will recognize as the main qualities of the French tradition, from Poussin to C\u00e9zanne. The terracotta jug is a recurring motif, which he uses on the back of his most famous self-portrait.<\/p>\n

The painting has a reverse side<\/i> . The painter depicts a view of the banks of the Seine and the Pont Marie painted from the window of his studio on the \u00cele Saint-Louis, around 1910. We would like to thank Mr Michel Charzat, author of the book “La Jeune Peinture Fran\u00e7aise 1910-1940” for his indications concerning the place and the date of the back of the work.<\/p>\n

Jean Marchand is a painter of avant-garde adventure. It is from the Cubism of the Salons, prefigures Futurism. From 1910, the public and the critics wondered. Should Marchand be placed among the Fauves of yesterday or among the Cubists of tomorrow? Apollinaire, in The Cubist Painters<\/i> of 1913, classifies the artist in \u201cphysical cubism\u201d.<\/p>\n

At the age of eighteen, Jean Marchand left his family to learn painting. He joined the studio of Jean Bonnat and Luc-Olivier Merson at the Beaux-Arts in Paris. Disappointed with academic learning, he decides to be his own master.<\/p>\n

He exhibited at the Salon des Ind\u00e9pendants in 1908, won a scholarship from the Seine department in 1910, left his attic on the Ile Saint-Louis and took over Renoir’s former studio in Montmartre. He frequents the Lhotes and the Dufys in Orgeval. With Sonia Lewitska, decorative painter, he travels to Ukraine, Warsaw and Moscow.<\/p>\n

In 1912, he exhibited at the Salon de la section d’or, a major exhibition in the history of the construction of Cubism. In 1915, he presented his paintings at the Carfax Gallery in London. Roger Fry, from the Bloomsbury group, exhibited it in London for his second exhibition on post-impressionist artists. He works with the group as an illustrator and painter.<\/p>\n

Bibliography: <\/b><\/p>\n

\u2022 Michel Charzat, \u201cYoung French painting, 1910 \u2013 1940, an era, an art of living\u201d, Paris, Hazan, 2010, p. 166-173.<\/p>\n

\u2022 British conservation, \u201cThe Bloomsbury group\u201d, Paris, Gallimard, 2009, p. 145-249<\/p>\n

Museums: <\/b><\/p>\n

\u2022 In Paris: City of Paris Museum of Modern Art. In London: Tate Gallery (four paintings).<\/p>\n

\u2022 In France: Lyon, Hospices Civils de Lyon museum; Marseille, Museum of European and Mediterranean Civilizations (mucem); Villeneuve-d’Ascq, Lille M\u00e9tropole modern art museum; Troyes, modern art museum; Grenoble, Grenoble Museum; C\u00e9ret, modern art museum; Besan\u00e7on, museum of fine arts and archeology; Saint-Tropez, Annonciade museum.<\/p>\n<\/div><\/div><\/div><\/div><\/div>

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