{"id":3789,"date":"2022-01-31T14:30:48","date_gmt":"2022-01-31T14:30:48","guid":{"rendered":"https:\/\/galerieballesteros.fr\/portfolio-items\/casimir-reymond-1893-1969\/"},"modified":"2023-11-18T12:38:44","modified_gmt":"2023-11-18T12:38:44","slug":"casimir-reymond-1893-1969","status":"publish","type":"avada_portfolio","link":"https:\/\/galerieballesteros.fr\/en\/portfolio-items\/casimir-reymond-1893-1969\/","title":{"rendered":"Casimir Reymond (1893 \u2013 1969)"},"content":{"rendered":"

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Casimir Reymond<\/h2>\n

Vue d\u2019Aix-en-Provence<\/em>, dat\u00e9 de 1937<\/h6>\n
Huile sur panneau
\nSign\u00e9e et dat\u00e9e en bas \u00e0 droite
\nInscription au dos : \u00ab Aix, vue de l\u2019atelier C\u00e9zanne \u00bb ; \u00ab Mme Mazella \u00bb.
\nDimensions : 49,5 x 73 cm
\nAvec cadre : 72 x 95 cm<\/h6>\n

Une vue du cap d\u2019Antibes circa 1880 par le peintre de l\u2019\u00e9cole de Barbizon, Henri Joseph Harpignies. Un tableau lumineux, contrast\u00e9 et \u00e0 la touche impressionniste.<\/p>\n

Huile sur toile<\/p>\n

Dimensions : 46 x 38 cm<\/p>\n

Avec cadre : 68 x 57 cm<\/p>\n

Vendu<\/p>\n

Le Cap d\u2019Antibes, c\u00f4te m\u00e9diterran\u00e9enne.<\/p>\n

Henri Joseph Harpignies a fait de nombreux s\u00e9jours \u00e0 Antibes sur la c\u00f4te m\u00e9diterran\u00e9enne et a repr\u00e9sent\u00e9 \u00e0 plusieurs reprises ce paysage d\u2019exception; une r\u00e9gion o\u00f9 tout est immuable : soleil, lumi\u00e8re, arbres \u00e0 feuilles persistantes.<\/p>\n

Ses vues de la c\u00f4te d\u2019Azur dans lesquelles transparaissent une recherche de la luminosit\u00e9 et o\u00f9 s’affirme une grande libert\u00e9 d\u2019ex\u00e9cution figurent parmi ses \u0153uvres les plus r\u00e9ussies. A partir de 1878, Harpignies partage son temps entre la c\u00f4te d’Azur l’hiver et Saint-Priv\u00e9 durant l’\u00e9t\u00e9.<\/p>\n

Une prise de vue \u00e0 travers les arbres .<\/p>\n

A l\u2019image de l\u2019Estaque vu \u00e0 travers les pins de Paul C\u00e9zanne, c\u2019est \u00e0 travers la frondaison de deux arbres, son sujet de pr\u00e9dilection, que l\u2019on d\u00e9couvre le Cap d\u2019Antibes, la mer miroitante, la vielle ville, le fort carr\u00e9 et les montagnes du Mercantour dans le lointain.<\/p>\n

Comme \u00e0 travers un rideau de verdure, le peintre a parfaitement su capter la beaut\u00e9 des lieux et sa lumi\u00e8re particuli\u00e8re.<\/p>\n

Biographie<\/p>\n

\u00ab le Michel-Ange des arbres et des campagnes paisibles \u00bb Anatole France<\/p>\n

Henri Joseph Harpignies n\u00e9 \u00e0 Valenciennes (Nord) et mort \u00e0 Saint-Priv\u00e9 (Yonne) est un peintre paysagiste, aquarelliste et graveur fran\u00e7ais de l’\u00c9cole de Barbizon.<\/p>\n

Edmond B\u00e9nard, Henri Harpignies dans son atelier, New York, Frick Collection.<\/p>\n

Les parents d’Henri Joseph Harpignies le destinent \u00e0 une carri\u00e8re commerciale, mais sa d\u00e9termination \u00e0 devenir artiste peintre les am\u00e8nent \u00e0 l’autoriser \u00e0 entrer dans l’atelier de Jean Achard \u00e0 Paris en 1846. Apr\u00e8s deux ans de formation, il part voyager en Italie.<\/p>\n

De retour en France en 1850, Henri Harpignies se consacre \u00e0 des bambochades enfantines en milieu paysager et rejoint Corot et l’\u00c9cole de Barbizon dont il subit l’influence. Li\u00e9s d’amiti\u00e9, les deux artistes effectuent ensemble un voyage en Italie en 1860.<\/p>\n

En 1859, il collabore \u00e0 la d\u00e9coration de la salle du personnel de l’h\u00f4pital de la Charit\u00e9 de Paris, partiellement reconstruite au mus\u00e9e de l’Assistance publique – H\u00f4pitaux de Paris.<\/p>\n

\u00c0 son retour d’Italie en 1861, il obtient son premier succ\u00e8s au Salon. Il expose ensuite r\u00e9guli\u00e8rement au Salon. En 1866, il re\u00e7oit sa premi\u00e8re m\u00e9daille pour Le Soir dans la campagne de Rome, acquis par l’\u00c9tat.<\/p>\n

Au cours de sa tr\u00e8s longue carri\u00e8re, Henri Harpignies peint un grand nombre d’\u0153uvres \u00e0 H\u00e9risson dans le Bourbonnais, ainsi que dans le Nivernais et en Auvergne. Il r\u00e9alise des \u0153uvres d\u00e9coratives pour l’Op\u00e9ra de Paris, dont le panneau du Val d’\u00c9grie, qu’il expose au Salon en 1870. Il \u00e9tait ami de L\u00e9on Bonnat qui fit par deux fois son portrait en 1889 (mus\u00e9e des Beaux-Arts de Valenciennes et Petit Palais \u00e0 Paris).<\/p>\n

Il peint les vitraux du ch\u00e2teau de Trousse-Barri\u00e8re \u00e0 Briare en 1895. En 1898, il est nomm\u00e9 Rosati d\u2019honneur.<\/p>\n

Il sera \u00e0 de nombreuses reprises r\u00e9compens\u00e9.<\/p>\n

M\u00e9dailles au Salon de Paris en 1866, en 1868 et en 1869, puis il devient hors-concours. M\u00e9daille de deuxi\u00e8me classe (d’argent) \u00e0 l’Exposition universelle de 1878. M\u00e9daille d’honneur en 1897 pour Solitude et Bords du Rh\u00f4ne.<\/p>\n

En 1875, il est nomm\u00e9 chevalier, puis promu officier (1883), \u00e9lev\u00e9 au grade de commandeur (1901) puis de grand officier (1911) de l’ordre national de la L\u00e9gion d\u2019honneur.<\/p>\n

Il est inhum\u00e9 dans le cimeti\u00e8re de Saint-Priv\u00e9 (Yonne).<\/p>\n

Bibliographie<\/p>\n

\u2022 Dictionnaire B\u00e9n\u00e9zit.<\/p>\n

\u2022 Dictionnaire des peintres paysagiste fran\u00e7ais au XIX\u00e8me- L Harembourg<\/p>\n

\u2022 La France illustr\u00e9e, no 1176, 12 juin 1897, p. 24.<\/p>\n

\u2022 Soci\u00e9t\u00e9 des artistes fran\u00e7ais, Explication des ouvrages de peinture, sculpture, architecture\u2026, Salon de 1897.<\/p>\n

\u2022 Henri Harpignies 1819 1916. Peindre la nature, [catalogue d’exposition], Cosne-Cours-sur-Loire, Mus\u00e9e de la Loire, 2016, 51 p.<\/p>\n

\u2022 Elric (dessin) et Fran\u00e7ois Darnaudet (sc\u00e9nario), Harpignies, Paquet, 2014.<\/p>\n

Mus\u00e9es<\/p>\n

France<\/p>\n

\u2022 Paris, Le Louvre ; Petit Palais<\/p>\n

\u2022 Lille, palais des Beaux-Arts : Vue prise \u00e0 Moncel-sur-Seille (Meurthe-et-Moselle), vers 1868<\/p>\n

\u00c9tats-Unis<\/p>\n

\u2022 New York, Metropolitan Museum of Art: Paysage avec une ville au loin<\/p>\n

\u2022 Tulsa, Philbrook Museum of Art : Pont ferroviaire sur la Briare.<\/p>\n

\u2022 Washington, National Gallery of Art : Paysage en Auvergne.<\/p>\n

Canada<\/p>\n

\u2022 Montr\u00e9al, Mus\u00e9e des beaux-arts de Montr\u00e9al : Clair de lune (1889)<\/p>\n

\u2022 Qu\u00e9bec, Mus\u00e9e national des Beaux-Arts du Qu\u00e9bec : Paysage<\/p>\n

Argentine<\/p>\n

\u2022 Buenos Aires, mus\u00e9e national des Beaux-Arts : Le Canal de Briare.<\/p>\n

Source<\/p>\n

https:\/\/fr.wikipedia.org\/wiki\/Henri_Harpignies<\/p>\n

https:\/\/www.persee.fr\/doc\/rnord_0035-2624_1992_num_74_297_4768<\/p>\n

<\/div><\/div>\n

Peintre et sculpteur, originaire de Vaulion, dans le Jura vaudois, Casimir Reymond \u00e9tudie \u00e0 l\u2019\u00e9cole des beaux-arts de Gen\u00e8ve.
\nOn lui doit une sculpture de Marie \u00e0 l\u2019\u00e9glise Saint-Paul (Haute-Vienne). N<\/span>ombre de ses sculptures ornent la ville de Lausanne.
\nIl s\u00e9journe \u00e0 Paris de 1929 \u00e0 1932 o\u00f9 il participe \u00e0 plusieurs expositions parisiennes.<\/p>\n

Le peintre re\u00e7oit le Prix Wilhelm Gimmi en 1969, peu avant son d\u00e9c\u00e8s.<\/p>\n

D\u00e8s 1932, il enseigne \u00e0 l’\u00e9cole cantonale de dessin et d’art appliqu\u00e9 de Lausanne, qu’il dirige entre 1933 et 1934, et de 1945 \u00e0 1955.<\/p>\n

Mus\u00e9es <\/b>:<\/p>\n

\u2022 Mus\u00e9e d\u2019Art Moderne de la Ville de Paris, mus\u00e9e des beaux-arts de Lausanne.<\/p>\n

Bibliographie:<\/b><\/p>\n

\u2022 <\/span><\/b>Edith Carey dir., Casimir Reymond, 1893-1969. Sa vie et son \u0153uvre<\/i>, Infolio, Gollion, 2010<\/p>\n

\u2022 Jordan, Casimir Reymond, sculpteur<\/i>, 1893-1969, 1974<\/p>\n

\u2022 Jean-Paul Berger, Deux si\u00e8cles en rouge et vert<\/em>, Belles-Lettres de Lausanne, 1806-2006, p. 110-111<\/p>\n<\/div><\/div><\/div><\/div><\/div>

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