{"id":3786,"date":"2022-01-31T14:19:20","date_gmt":"2022-01-31T14:19:20","guid":{"rendered":"https:\/\/galerieballesteros.fr\/portfolio-items\/prosper-marilhat-1811-1847\/"},"modified":"2022-03-25T16:04:46","modified_gmt":"2022-03-25T16:04:46","slug":"prosper-marilhat-1811-1847","status":"publish","type":"avada_portfolio","link":"https:\/\/galerieballesteros.fr\/en\/portfolio-items\/prosper-marilhat-1811-1847\/","title":{"rendered":"Prosper MARILHAT (1811 \u2013 1847)"},"content":{"rendered":"

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Prosper Marilhat<\/em><\/h2>\n
The Rest of the Nomads<\/em> , circa 1830<\/h6>\n
Oil on canvas
\nsigned lower left
\nDimensions: 21.5 x 32cm<\/h6>\n
Price upon request<\/h6>\n
<\/div><\/div>\n

Perfectly composed, the works of Marilhat live on the fidelity of a description above all concerned with rendering the luminosity of the Orient. Here, the painter depicts the hot hours of the day. In the foreground, a man stretches his arm towards the mountains as he addresses two men, seated under a tree. The viewer’s gaze follows his finger, pointed towards the steep mountain peaks.<\/p>\n

The painter adorns the men with brightly colored fabrics, which contrast with the whiteness of the nomads’ tent in the background. The tree provides a saving shade; it nuances the painter’s palette and gives a feeling of realism to the scene.<\/p>\n

French Orientalism has long been reduced to a few names (Delacroix, Chass\u00e9riau and G\u00e9r\u00f4me almost exclusively, Decamps for memory, Fromentin for Dominique) so that we do not see with satisfaction the interest of focusing on other artists: Marilhat of course, but also Adrien Dauzats, Adrien Guignet, L\u00e9on Belly, Narcisse Berch\u00e8re\u2026 Since the curiosity of historians focused on their works, they are no longer unknown.<\/p>\n

Marilhat is a student of Roqueplan. Between 1831 and 1833, he was marked by the Orient thanks to the two-year trip he made to Greece and the Middle East (Syria, Lebanon, Palestine, Lower Egypt and Upper Egypt), as a draftsman of the scientific expedition of Baron de Hugel.
\nAt the Salon of 1834, the Place de l’Esbekieh (current location unknown) was hailed as a masterpiece of verismo by Th\u00e9ophile Gautier: the reputation of the painter was made (Th\u00e9odore Chass\u00e9riau painted his portrait, it is kept in the Mus\u00e9e du Louvre). From then on, he never stopped drawing on his memories and his sketchbooks to create new paintings.<\/p>\n

Bibliography:<\/strong><\/p>\n

\u2022 Bruno Foucart, \u201cProsper Marilhat (1811-1847)\u201d, Encyclop\u00e6dia Universalis online<\/p>\n

\u2022 \u201cProsper Marilhat\u201d, Oxford Art Online<\/p>\n

\u2022 Th\u00e9ophile Gautier, \u201cProsper Marilhat\u201d, Revue des deux mondes, n\u00b023, 1848, p. 56\u201375<\/p>\n

\u2022 Gabriel Marri, \u201cProsper Marilhat orientalist and Auvergne painter (1811-1847)\u201d, Literary and Picturesque Month, February 1912, Paris<\/p>\n

\u2022 Dani\u00e8le Menu, Prosper Marilhat (1811-1847): study, correspondence, documents, catalogue, 1978, Dijon<\/p>\n

Museums:<\/strong><\/p>\n

\u2022 In Paris and the Paris region: Louvre Museum, graphic arts department and painting department; Cond\u00e9 Museum in Chantilly.<\/p>\n

\u2022 In France: Lille Fine Arts Museum; Reims Museum of Fine Arts; Magnin National Museum in Dijon; Fabre Museum in Montpellier; Roger-Quilliot art museum in Clermont-Ferrand; Angers Fine Arts Museum; municipal museum of Sens; Dole Fine Arts Museum; Museum of Fine Arts and Archeology of Besan\u00e7on; MUDO-Mus\u00e9e de l’Oise in Beauvais; Crozatier Le Puy-en-Velay museum.<\/p>\n<\/div><\/div><\/div><\/div><\/div>

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