{"id":3734,"date":"2022-01-24T11:47:46","date_gmt":"2022-01-24T11:47:46","guid":{"rendered":"https:\/\/galerieballesteros.fr\/portfolio-items\/frederic-cordey-1854-1911\/"},"modified":"2026-02-21T15:25:27","modified_gmt":"2026-02-21T15:25:27","slug":"frederic-cordey-1854-1911","status":"publish","type":"avada_portfolio","link":"https:\/\/galerieballesteros.fr\/en\/portfolio-items\/frederic-cordey-1854-1911\/","title":{"rendered":"Fr\u00e9d\u00e9ric CORDEY (1854 \u2013 1911)"},"content":{"rendered":"

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Frederic Cordey<\/h2>\n

Resting on the banks of the Oise at Saint-Ouen-l’Aum\u00f4ne, 1892<\/i><\/h6>\n
Oil on canvas
\nSigned and dated, lower right
\nDimensions: 46 x 55 cm
\nWith frame: 71 x 78 cm<\/h6>\n
Price: 7500 \u20ac<\/h6>\n
<\/div><\/div>\n

Fr\u00e9d\u00e9ric Samuel Cordey evolves with the Impressionists, he presents four paintings with the group for the fourth Impressionist exhibition in 1877.<\/p>\n

Pupil of Isodor Pils and Gustave Boulanger at the School of Fine Arts in Paris, he was part of the group (Monet, Renoir, Pissarro, Sisley) who rebelled against academic teaching to follow the path of Impressionism. .<\/p>\n

The artist took part in the Salon d’Automne in 1903. He rarely exhibits and art critics are rave about him. A retrospective exhibition took place at the Galerie Choiseul in Paris in 1913. His wealth allows him to work according to his own aspirations without depending on criticism and help from merchants.<\/p>\n

Appreciated by Gustave Caillebotte and particularly linked to Auguste Renoir, he <\/span>is featured in several paintings by the artist, including the “Bal du moulin de la galette”. Attentive landscape painter, he likes to depict the surrounding nature; If the Auxerre countryside is one of the painter’s favorite places, he stays not far from Camille Pissarro in Neuville-sur-Oise as well as in Eragny-sur-Oise.<\/p>\n

For this painting, the artist depicts a rural landscape whose encounter between man and nature brings out the calm and tranquility of an afternoon in the countryside.<\/p>\n

In this painting from 1892, the painter breaks away from Renoir’s Impressionism. A landscape painter from the magnificent<\/sup> 19th century free school of landscape, he makes color vibrate by the juxtaposition of hatched touches.<\/p>\n

Bibliography: <\/strong><\/p>\n

\u2022 Article by Adolphe Thalasso, \u201cExposition F.-S. Cordey”, in L’Art et les artistes<\/i> , monthly review of ancient and modern art<\/i> , Oct. 1913-3 Feb. 1914, p. 237<\/p>\n

\u2022 Andr\u00e9 Roussard, Dictionary of painters in Montmartre in the 19th<\/sup> and 20th<\/sup> centuries<\/i><\/p>\n

\u2022 Cat. of exp. Christophe Duvivier, Painters and the Oise, the painter-engravers of the Oise Valley<\/i> , [exhibition \u201c<\/i> Painters and the Oise, the painter-engravers of the Oise Valley\u201d, Pontoise, Mus\u00e9e Tavet- Delacour, 26 Feb. to 23 Sept. 2007], Pontoise ed. from the museum, 2007<\/p>\n

\u2022 Sophie Monneret, Impressionism and its era<\/i> , Paris, Robert Laffont, 1987<\/p>\n

<\/strong><\/p>\n

Museums: <\/strong><\/p>\n

\u2022 Madame Cordey doing tapestry<\/i> , <\/span>1879, Paris, Musee d’Orsay<\/p>\n

\u2022 Dish of peaches,<\/i> 1906, Nevers, prefecture of Ni\u00e8vre<\/p>\n<\/div><\/div><\/div><\/div><\/div>

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