{"id":3676,"date":"2022-01-17T11:17:50","date_gmt":"2022-01-17T11:17:50","guid":{"rendered":"https:\/\/galerieballesteros.fr\/portfolio-items\/jacqueline-marval-1866-1932\/"},"modified":"2025-09-20T11:39:58","modified_gmt":"2025-09-20T11:39:58","slug":"jacqueline-marval-1866-1932","status":"publish","type":"avada_portfolio","link":"https:\/\/galerieballesteros.fr\/en\/portfolio-items\/jacqueline-marval-1866-1932\/","title":{"rendered":"Jacqueline MARVAL (1866 – 1932) Bathers"},"content":{"rendered":"

\"Jacqueline<\/a><\/div><\/div>
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\"Jacqueline<\/a><\/div><\/div>
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\"\"<\/a><\/div><\/div>
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\"\"<\/a><\/div><\/div>
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\"Jacqueline<\/a><\/div><\/div>
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\"Jacqueline<\/a><\/div><\/div>
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Jacqueline Marval <\/em><\/h2>\n
The bathers<\/em> , dated 1905<\/h6>\n

A canvas representative of Jacqueline Marval’s talent, freedom and determination to embark on the adventure of painting without influences or constraints.<\/strong><\/p>\n

Oil on canvas
\n<\/span>Signed and dated lower right
\n<\/span>Dimensions: with frame 67.5 x 58.5 cm
\n<\/span>Reproduced p. 66-67 in<\/em> Fran\u00e7ois Roussier, Jacqueline Marval: 1866-1932<\/em><\/h6>\n
Price upon request<\/h6>\n
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Jacqueline Marval, known for her female nudes.<\/h3>\n

This tawny-colored painting depicts two naked young women on a riverbank. They are depicted in a natural, relaxed attitude. One balances on one foot and leans on the other’s shoulder to dry her feet.
\n<\/span>The bright, acidic colors in the yellow of the background contrast with the pink of the bodies, giving the work a joyful, luminous atmosphere and an impression of freedom and spontaneity.
\nBy depicting naked women so openly, Jacqueline Marval defied convention and asserted her independence.<\/p>\n

<\/div><\/div>\n

Biography<\/strong><\/h4>\n

Jacqueline Marval is a painter from the end of the 19th century and the turn of the 20th century. Born in 1866 from a family of teachers near Grenoble, she did not come to painting until late. She moved to Paris in 1895 in Montparnasse, at the heart of artistic life at the end of the century.<\/p>\n

A modest seamstress by trade, she was introduced to painting at the instigation of her companion Jules Flandrin (1871 \u2013 1947), a pupil of Gustave Moreau. He encourages her talent as an observer and colorist. She meets Matisse, Gu\u00e9rin, Laurencin, Camin, Rouault, Marquet and the others.<\/p>\n

The artist opens the way to dream and softness in his poetic compositions. A talented painter, she modeled herself on the ideas of Fauvism: breaking perspective, giving density to the pictorial material through color and touch, leaving academic subjects to enhance the verism of the landscape as the dreamlike projections of the mind.<\/p>\n

Her paintings were refused at the Salon of 1900, she only exhibited there the following year. At that time, genius collectors and gallery owners Berthe Weill, Ambroise Vollard and Eug\u00e8ne Druet bought and exhibited his work. In February 1902, Jacqueline Marval exhibited alongside Matisse, Marquet, and his companion Flandrin at Berthe Weill, 25 rue Victor Mass\u00e9.<\/p>\n

From then on, she took off and exhibited all over the world (from the Metropolitan in New York to the Ohara Museum in Kurashiki, Japan, and all over Europe), earning critical acclaim (Guillaume Apollinaire called her “one of the most remarkable artists of our time” in Le Temps, February 25, 1912) and the admiration of all, both for her work and for her strong personality.<\/p>\n

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Bibliography <\/strong><\/h4>\n

– Fran\u00e7ois Roussier, Jacqueline<\/span> Marval<\/span>: 1866-1932<\/em>Paris, Thalia \u00c9dition, 2008 (reed. 1987), 407 pages<\/p>\n

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Museums <\/strong><\/h4>\n

– In France<\/p>\n

Nantes, Fine Arts Museum.<\/p>\n

Grenoble, Mus\u00e9e de beaux-arts (including a portrait of the artist by Jules Hippolyte Flandrin).<\/p>\n

Castres, Goya Museum.<\/p>\n

Voiron, Mainssieux museum .<\/p>\n

Villefranche-sur-Sa\u00f4ne, Paul Dini Museum.<\/p>\n<\/div><\/div><\/div><\/div><\/div>

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