{"id":13361,"date":"2026-09-14T12:02:15","date_gmt":"2026-09-14T12:02:15","guid":{"rendered":"https:\/\/galerieballesteros.fr\/portfolio-items\/jules-jacques-veyrassat-1828-1893-the-towing-horses\/"},"modified":"2026-09-14T12:09:31","modified_gmt":"2026-09-14T12:09:31","slug":"jules-jacques-veyrassat-1828-1893-the-towing-horses","status":"publish","type":"avada_portfolio","link":"https:\/\/galerieballesteros.fr\/en\/portfolio-items\/jules-jacques-veyrassat-1828-1893-the-towing-horses\/","title":{"rendered":"Jules, Jacques VEYRASSAT (1828\u20131893) The Towing Horses"},"content":{"rendered":"

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<\/h2>\n

Jules, Jacques Veyrassat<\/h2>\n

An important painting by Jules Jacques Veyrassat, a painter specializing in horses, exhibited at the 1876 Salon. A work of exceptional artistic quality. <\/strong><\/p>\n

Oil on canvas, signed and dated 1876 in the lower right corner.
\nDimensions: 60 x 81 cm
\nWith frame: 89 x 108 cm<\/h6>\n
Exhibited at the 1876 Paris Salon under number 2016 and titled \u201cTowhorse Relay Station\u201d<\/i><\/h6>\n
Price: \u20ac15,000<\/h6>\n
<\/div><\/div><\/span><\/h6>\n

Jules, Jacques Veyrassat, known for his realistic depictions of workhorses and rural scenes.<\/h3>\n

Following in the footsteps of Troyon and Millet, the charming petit ma\u00eetre Jules Veyrassat faithfully captures the rural life of the countryside and portrays the horse as the farmer\u2019s companion: he depicts it at the watering trough, plowing, hauling loads along towpaths, resting in the shade of trees, and at the farrier\u2019s.<\/p>\n

<\/div><\/div><\/span><\/h3>\n

\u201cHorse-Drawn Cart Relay Station<\/i>,\u201d a work of exceptional quality featuring highly detailed artwork.<\/h3>\n

Towing horses, still harnessed and accompanied by their drivers, are resting in front of a relay station near a river.
\nThanks to his keen eye for detail, his drawings are exceptionally precise. In his paintings, as seen here, he enjoys working with his medium, which sometimes has a lumpy texture but is always executed with perfect precision.<\/p>\n

<\/div><\/div>\n

Biography<\/span><\/h4>\n

A French painter and printmaker of the Barbizon School, Jules Jacques Veyrassat studied in Paris in Henri Lehmann’s studio and exhibited his first works at the Salon in 1848.<\/p>\n

He made a name for himself in France through his paintings and engravings,<\/p>\n

He is one of the most highly decorated painters and engravers for his works depicting nature. He was named a Knight of the Legion of Honor in 1878. <\/p>\n

Enrolled at the school in \u00c9couen\u2014the town where he had a room\u2014he attended classes taught by Pierre-\u00c9douard Fr\u00e8re, with whom he became friends.<\/p>\n

He is also associated with the Barbizon School. His work is similar to that of Charles Jacque and Jean-Fran\u00e7ois Millet, whom he knew well. <\/span><\/p>\n

Adopting a realistic approach, he based his work on observations of rural life in the French countryside of that era. His subjects explore the themes of livestock farming and the use of horses in agricultural life. <\/span><\/p>\n

He has never left his home country, but his fame has spread throughout Europe.<\/p>\n

Jules Jacques Veyrassat died on July 2, 1893, in the 9th arrondissement of Paris and was buried at P\u00e8re-Lachaise Cemetery.<\/p>\n

<\/div><\/div>\n

Bibliography<\/h4>\n

– B\u00e9n\u00e9zit dictionary.<\/p>\n

\u2022 \u201cDictionary of 19th-Century French Landscape Painters\u201d by Lydia Harembourg<\/p>\n

\u2022 Philip Gilbert Hamerton, *Chapters on Animals*, London: Seeley, Jackson, and Halliday, 1874.<\/p>\n

\u2022 Philip Gilbert Hamerton, P.G. Hamerton’s *Etching and Etchers*, Macmillan & Co., 1880.<\/p>\n

\u2022 Daniel Baduel, Aude Bertrand, Christian Dauchel, *The \u00c9couen School: A Colony of Painters in the 19th Century*, Domont,<\/p>\n

<\/div><\/div>\n

Museums<\/h4>\n

France<\/p>\n

\u2022 Paris: <\/span>Louvre Museum;<\/p>\n

<\/span>Mus\u00e9e d’Orsay;<\/p>\n

<\/span>Quai Branly – Jacques Chirac Museum.<\/p>\n

\u2022 <\/span>B\u00e9ziers, Museum of Fine Arts<\/p>\n

\u2022 <\/span>Chartres, Museum of Fine Arts<\/p>\n

\u2022 <\/span>Dijon, Museum of Fine Arts<\/p>\n

\u2022 <\/span>Grenoble, Grenoble Museum<\/p>\n

\u2022 <\/span>La Roche-sur-Yon, Municipal Museum<\/p>\n

\u2022 <\/span>Pau, Museum of Fine Arts: Towing Horses on the Seine.<\/p>\n

\u2022 <\/span>P\u00e9ronne, Alfred-Danicourt Museum: Horses Plowing.<\/p>\n

\u2022 <\/span>Reims, Museum of Fine Arts:<\/p>\n

\u2022 <\/span>Rennes, Museum of Fine Arts: *Loading the Cart*.<\/p>\n

\u2022 <\/span>Rouen, Museum of Fine Arts: Algerian Study,<\/p>\n

\u2022 Soissons, Soissons Museum: Farmyard.<\/p>\n

– Toulouse, Mus\u00e9e des Augustins.<\/p>\n

United Kingdom<\/p>\n

\u2022Manchester, Manchester Art Gallery.<\/p>\n

United States<\/p>\n

\u2022 <\/span>Baltimore, Walters Art Museum<\/p>\n

\u2022 <\/span>San Francisco:<\/p>\n

\u2022 <\/span>De Young Museum;<\/p>\n

\u2022 <\/span>Williamstown, Clark Art Institute.<\/p>\n<\/div>

<\/i>Contact<\/span><\/a><\/div><\/div><\/div><\/div><\/div>
<\/div><\/div><\/div><\/div>
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