{"id":11780,"date":"2025-08-02T13:08:16","date_gmt":"2025-08-02T13:08:16","guid":{"rendered":"https:\/\/galerieballesteros.fr\/portfolio-items\/cesar-de-cock1823-1904-on-the-banks-of-the-epte\/"},"modified":"2025-10-22T10:24:38","modified_gmt":"2025-10-22T10:24:38","slug":"cesar-de-cock1823-1904-on-the-banks-of-the-epte","status":"publish","type":"avada_portfolio","link":"https:\/\/galerieballesteros.fr\/en\/portfolio-items\/cesar-de-cock1823-1904-on-the-banks-of-the-epte\/","title":{"rendered":"C\u00e9sar DE COCK(1823 – 1904) On the banks of the Epte"},"content":{"rendered":"

\"C\u00e9sar<\/a><\/div><\/div>
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\"C\u00e9sar<\/a><\/div><\/div>
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\"C\u00e9sar<\/a><\/div><\/div>
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\"C\u00e9sar<\/a><\/div><\/div>
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\"C\u00e9sar<\/a><\/div><\/div>
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\"C\u00e9sar<\/a><\/div><\/div>
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\"C\u00e9sar<\/a><\/div><\/div>
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C\u00e9sar De Cock<\/h2>\n

Family relaxation on the banks of the Epte, near Giverny, dated 1871.<\/strong> An impressionist landscape treated with finesse and talent by Belgian landscape painter C\u00e9sar de Cock .<\/strong><\/p>\n

Oil on canvas
Signed and dated lower right
Dimensions: 44 x 62 cm
With frame: 73 x 93 cm<\/h6>\n
Price upon request<\/h6>\n
<\/div><\/div><\/span><\/h6>\n

C\u00e9sar de Cock, a sensitive, nature-loving painter.<\/h3>\n

Nature dominates C\u00e9sar De Cock’s paintings. His landscapes reflect his pronounced taste for greenery, particularly the forest.
Here, the artist plunges us into a wooded landscape where a river flows by. A family has come to enjoy themselves. The father is fishing, while the mother and children enjoy the surroundings. <\/p>\n

On the banks of the Epte, a landscape of impressionist light painted in a cameo of greens suggesting harmony and calm.<\/h3>\n

This undergrowth landscape in shades of green is very peaceful and relaxing. C\u00e9sar de Cock’s treatment of light and reflections in the water is particularly talented. <\/p>\n<\/p>\n

<\/div><\/div>\n

Biography<\/span><\/h4>\n

C\u00e9sar De Cock, born in Ghent, was a Belgian painter and engraver active in France, and a member of the Barbizon School.<\/p>\n

Son of a small tailor in Ghent, younger brother of Xavier De Cock and a pupil at the Ghent School of Fine Arts, he devoted himself first and foremost to music and singing, before becoming deaf and devoting himself exclusively to painting. Called to France by his brother Xavier, he became a pupil of Daubigny and Louis Fran\u00e7ais. <\/p>\n

A painter of genre scenes, still lifes, animals, landscapes and watercolors, C\u00e9sar De Cock befriended Corot, Rousseau, Diaz and Troyon.<\/p>\n

Soon the De Cocks, hard workers and good companions, were admitted to Paris by official exhibition organizers and dealers alike, as if they were native Frenchmen.<\/p>\n

Art critic Bourgeat noted that “C\u00e9sar is to Corot what Xavier is to Daubigny”. C\u00e9sar is finer and more poetic than Xavier, who is firmer, warmer and more vigorous than his brother. Edmond About would say that Daubigny and Corot should see in C\u00e9sar and Xavier De Cock “not copyists but inspired comrades in arms”. Corot called C\u00e9sar “his youngest child”. Th\u00e9ophile Gautier devoted one of his sonnets to La cressonni\u00e8re, a painting by C\u00e9sar De Cock that attracted much attention at the 1886 Salon.
He spent a short period in Paris, then moved to Gasny in the Eure region. <\/p>\n

He regularly took part in salons, notably in Paris, where he won medals in 1867 and 1869.<\/span><\/p>\n

\nHis travels led him to paint in Barbizon from 1860, in Veules-les-Roses, in the woods of Meudon and then in the Lys region.
In 1880, he settled permanently in Ghent, but frequently painted in and around the banks of the Lys.<\/p>\n

The influence of his master Edme-Fran\u00e7ois Daubigny and Louis Fran\u00e7ais can be seen in his landscapes, as well as Hobbema’s taste for forests with their nuanced greens, while drawing closer to Impressionism.<\/p>\n

C\u00e9sar De Cock influenced many painters, including Vincent van Gogh, who explicitly named him in letters to his brother Theo.<\/p>\n

In 1900, he was appointed Officer of the Order of Leopold.<\/p>\n

Many of his works were exhibited around the world, including in New York and London. The Photo of C\u00e9sar De Cock by Ferdinand Mulnier is held by the Metropolitan Museum of Art in New York. <\/p>\n

<\/div><\/div><\/span><\/h6>\n

Bibliography<\/h4>\n
– Schurr “Les Petits maitres de le Peinture”.<\/div>\n
<\/div>\n
– Dictionnaire de la peinture flamande et hollandaise : du Moyen \u00e2ge \u00e0 nos jours, Paris, \u00c9ditions Larousse, 1989, 493 p.<\/div>\n
<\/div>\n
– Dictionary of Painting, vol. 1, Paris, Larousse-Bordas, 1996, 2497 p. – Dictionnaire des peintres, sculpteurs, dessinateurs et graveurs, vol. 8, Paris, Gr\u00fcnd, 1999, 958 p. <\/div>\n
<\/div>\n
– Dictionnaire des peintres belges du xive si\u00e8cle \u00e0 nos jours, Renaissance du livre, 1995, 466 p.<\/div>\n
<\/div>\n
– Dictionnaire biographique illustr\u00e9 des artistes en Belgique depuis 1830, Brussels, Arto, 1987, 492 p.<\/div>\n
<\/div>\n
– Paul Haesaerts, Sint-Martens-Latem: the chosen village of Flemish art, Antwerp, Fonds Mercator, 1982, 523 p.<\/div>\n
<\/div>\n
– Andr\u00e9 De Ridder, Laethem-Saint-Martin, colonie d’artistes, Brussels, Lumi\u00e8re, 1945, 381 p.<\/div>\n
<\/div>\n
<\/div><\/div><\/span><\/h6>\n

Museums<\/h4>\n
France<\/div>\n
<\/div>\n
– Paris, Louvre Museum<\/div>\n
<\/div>\n
– Limoges, Fine Arts Museum<\/div>\n
<\/div>\n
– Lille , Mus\u00e9e des Beaux -Arts<\/div>\n
<\/div>\n
– Grenoble , Mus\u00e9e des Beaux -Arts<\/div>\n
<\/div>\n
– Le Havre, Fine Arts Museum<\/div>\n
<\/div>\n
– Pau, Fine Arts Museum<\/div>\n
<\/div>\n
– Reims, Mus\u00e9e des Beaux -Arts<\/div>\n
<\/div>\n
– Rennes, Mus\u00e9e des Beaux-Arts<\/div>\n
<\/div>\n
<\/div>\n
Belgium<\/div>\n
<\/div>\n
– Li\u00e8ge , Mus\u00e9e des Beaux -Arts<\/div>\n
<\/div>\n
– Ghent, Museum of Fine Arts<\/div>\n
<\/div>\n
– Antwerp, Museum of Fine Arts<\/div>\n
<\/div>\n
<\/div>\n
United States<\/div>\n
<\/div>\n
– Philadelphia, Philadelphia Museum of Art: The Brook Canal<\/div>\n
<\/div>\n
– Boston , Boston Museum<\/div>\n
<\/div>\n
– Milwaukee Museum<\/div>\n
<\/div>\n
Other<\/div>\n
<\/div>\n
– Canada , Ottawa, National Gallery of Canada<\/div>\n
<\/div>\n
– England, London, Victoria and Albert Museum<\/div>\n
<\/div>\n
– Spain , Madrid, Prado Museum<\/div>\n
<\/div>\n
– Netherlands, Amsterdam, Rijksmuseum<\/div>\n
<\/div>\n
– Finland, Gallery of Finland<\/div>\n
<\/div>\n
\n
<\/div><\/div><\/span><\/h6>\n<\/div>\n

Source<\/h4>\n
\n

https:\/\/fr.wikipedia.org\/wiki\/C\u00e9sar_De_Cock<\/p>\n<\/div>\n

<\/div>\n<\/div>
<\/i>Contact<\/span><\/a><\/div><\/div><\/div><\/div><\/div>
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