{"id":11711,"date":"2025-07-20T13:34:59","date_gmt":"2025-07-20T13:34:59","guid":{"rendered":"https:\/\/galerieballesteros.fr\/portfolio-items\/maurice-eliot-1862-1945-elegant-woman-with-parasol\/"},"modified":"2025-07-27T09:42:16","modified_gmt":"2025-07-27T09:42:16","slug":"maurice-eliot-1862-1945-elegant-woman-with-parasol","status":"publish","type":"avada_portfolio","link":"https:\/\/galerieballesteros.fr\/en\/portfolio-items\/maurice-eliot-1862-1945-elegant-woman-with-parasol\/","title":{"rendered":"Maurice ELIOT (1862 – 1945) Elegant woman with parasol."},"content":{"rendered":"

\"Maurice<\/a><\/div><\/div>
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Maurice Eliot<\/h2>\n

A pastel by Maurice Eliot depicting an elegant woman with a parasol in a wheat field, dated 1885. A highly impressionistic work in both subject and technique. <\/strong><\/p>\n

Pastel signed and dated 1885 lower left
\nDimensions: 31 x 46.5 cm
\nWith frame: 47 x 62 cm<\/h6>\n
SOLD<\/h6>\n
<\/div><\/div><\/span><\/h6>\n

Maurice Eliot , a delicate painter faithful to Impressionist clarity.<\/h3>\n

Maurice Eliot’s depiction of an elegant woman in nature, protecting herself from the sun’s rays with a parasol, is one of the Impressionists’ favorite subjects. We can’t help but think of Claude Monet’s emblematic work. <\/p>\n

Maurice Eliot, a talented pastellist.<\/h3>\n

F\u00e9lix F\u00e9n\u00e9on, visiting the “Exposition des 33” (a society of French pastellists) in January 1889, had this to say about Maurice Eliot: “This pastellist chooses from among his pencils the clear, the lively, the tender, and his gaiety in handling them is manifest.<\/p>\n

Our work bears witness to the delicacy and refinement of its nuanced coloring.<\/p>\n

<\/div><\/div><\/span><\/h6>\n

Biography<\/span><\/h4>\n

Charles Louis Maurice Eliot is a painter, pastellist, engraver, illustrator and drawing teacher.<\/p>\n

Maurice Eliot was born in Paris to Claude Gabriel Eliot, a lumber merchant, and Marie Antoinette Bouret, a non-professional. Following the couple’s rapid separation, Maurice’s childhood was divided between Paris and \u00c9pinay-sous-S\u00e9nart, where his maternal grandfather Jean-Louis Bouret, mayor from 1860 to 1865, owned several properties. <\/p>\n

He lived and worked in Paris, but remained loyal to \u00c9pinay-sous-S\u00e9nart, “which played a key role in his neo-Impressionist painting.<\/p>\n

Thanks to a travel grant, he visited southern Europe and took part in the 1889 and 1900 Universal Exhibitions, winning a silver medal at each. He also exhibited at the Salon d’Automne (Louis Vauxcelles cited him as one of the outstanding artists at the 1905 Salon) and became a member of the Soci\u00e9t\u00e9 des Artistes Fran\u00e7ais. <\/p>\n

A recognized pastellist, he exhibited twice at the Galerie Georges Petit, in 1888 and 1889, at the “expositions des 33” pastellistes fran\u00e7ais, a society founded and chaired by Roger Ballu, and also including Charles Angrand, Jacques-\u00c9mile Blanche, Eug\u00e8ne Dauphin, \u00c9mile Friant, Thomas Alexander Harrison, Fernand Khnopff, Albert Lebourg, Ary Renan and Guillaume Van Strydonck.<\/p>\n

In 1889, Maurice Eliot was elected to the board of the Soci\u00e9t\u00e9 des pastellistes fran\u00e7ais, alongside Jean-Louis Forain and Jules Ch\u00e9ret, among others, to take part in its annual exhibitions.<\/p>\n

In 1894, the French state purchased Maurice Eliot’s painting for the first time, and in 1897 Ambroise Vollard commissioned a color lithograph for L’Album d’estampes originales de la galerie Vollard. He joined the Soci\u00e9t\u00e9 des peintres-lithographes in 1899. <\/p>\n

In 1900, Maurice Eliot moved with his mother and sister to 37, rue de Clichy, where he lived until 1937, spending summers at the family home in \u00c9pinay-sous-S\u00e9nart.<\/p>\n

In 1901, after teaching drawing in various Paris schools since the early 1890s, Maurice Eliot was appointed “ma\u00eetre de dessin” at the \u00c9cole polytechnique, where he taught until 1932.<\/p>\n

In January 1908, he was named Chevalier de la L\u00e9gion d’Honneur, with Charles L\u00e9andre as his patron. In May 1909, he exhibited at Devambez, before being represented by the Parisian gallery Sagot-Le Garrec. <\/p>\n

The 1930s was a period of hardship, with the successive disappearances of his mother Marie Antoinette in 1932, his old friend Charles L\u00e9andre in 1934, and his mentally ill sister Jeanne.<\/p>\n

After her death in 1937, he moved permanently to 15, rue de in \u00c9pinay-sous-S\u00e9nart, where he died in August 1945.<\/p>\n

<\/div><\/div><\/span><\/h6>\n

Solo exhibitions<\/h4>\n

– Galerie Devambez, Paris, May 1909.<\/p>\n

– Maurice Eliot retrospective, Mus\u00e9e Robert Dubois-Corneau, Brunoy, spring 1988.<\/p>\n

– H\u00e9ro et L\u00e9andre: Charles L\u00e9andre, Maurice Eliot – Souvenirs de jeunesse dans les ateliers de Montmartre; Mus\u00e9e Robert Dubois-Corneau, Brunoy, September 2001 – January 2002.<\/p>\n

– 150 pastels by French and foreign pastel masters, La Ferme Orn\u00e9e art and exhibition center, Yerres, April 18 to June 7, 2009.<\/p>\n

– Tribute to Maurice Eliot, Maurice-Eliot cultural center, \u00c9pinay-sous-S\u00e9nart, November 2012.<\/p>\n

Group exhibitions<\/h4>\n

– Salon des artistes fran\u00e7ais, Paris, from 1881.<\/p>\n

– Salon de la Soci\u00e9t\u00e9 nationale des beaux-arts, 1899.<\/p>\n

– Salon d’Automne, Paris, 1905.<\/p>\n

– Versailles Exhibition, Soci\u00e9t\u00e9 des amis des arts de Seine-et-Oise, Mus\u00e9e de Versailles, June 1889.<\/p>\n

– Les artistes membres de la “Soci\u00e9t\u00e9 Moderne”, Galerie Durand-Ruel, Paris, February 1909.<\/p>\n

– Salon de la Soci\u00e9t\u00e9 des peintres lithographes, 1909[41].<\/p>\n

– Peindre la banlieue de Corot \u00e0 Vlaminck, 1850-1950, atelier Grognard, Rueil-Malmaison, December 2016 – January 2017; mus\u00e9e fran\u00e7ais de la carte \u00e0 jouer, Issy-les-Moulineaux, April 2017.<\/p>\n

<\/div><\/div><\/span><\/h6>\n

Museums<\/h4>\n

France<\/strong><\/p>\n

– Abbeville, Boucher-de-Perthes museum: Interior scene.<\/p>\n

– Auxerre, Mus\u00e9e Leblanc-Duvernoy: La chanson de l’eau.<\/p>\n

– B\u00e9ziers, Mus\u00e9e des beaux-arts: Hours of twilight.<\/p>\n

– Brunoy, Robert Dubois-Corneau Museum:<\/p>\n

– Lille, palais des beaux-arts: Burial of a young girl, 1888,<\/p>\n

– Montgeron, Jos\u00e8phe-Jacquiot Museum,<\/p>\n

– N\u00eemes, Mus\u00e9e des beaux-arts: Hours of twilight, oil on canvas.<\/p>\n

– Quimper, Mus\u00e9e des beaux-arts, Les faucheurs,<\/p>\n

– Reims, Mus\u00e9e des beaux-arts, Jeune paysanne, pastel.<\/p>\n

– Saint-Brieuc, Mus\u00e9e d’art et d’histoire: Le Faucheur,<\/p>\n

– Saint-Denis de La R\u00e9union, Mus\u00e9e L\u00e9on-Dierx :<\/p>\n

– Sarlat-la-Can\u00e9da, town hall,<\/p>\n

– Sedan, municipal museum, Baroness de Rothschild donation.<\/p>\n

– Soissons, museum<\/p>\n

– Strasbourg, museum of modern and contemporary art :<\/p>\n

Paris <\/strong><\/p>\n

– Mus\u00e9e d’Orsay: The Sacred Heart of Montmartre, circa 1900<\/p>\n

– Petit Palais: Au bal, 1908, lithograph.<\/p>\n

Switzerland<\/strong><\/p>\n

– Basel, Kunstmuseum: Young woman at table<\/p>\n

United States<\/strong><\/p>\n

– Washington, Smithsonian American Art Museum: La Parisienne en 1906, drawing, 1915<\/p>\n<\/div>

<\/i>Contact<\/span><\/a><\/div><\/div><\/div><\/div><\/div>
<\/div><\/div><\/div><\/div>
<\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":3,"featured_media":11695,"menu_order":0,"comment_status":"open","ping_status":"closed","template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"portfolio_category":[77],"portfolio_skills":[],"portfolio_tags":[],"class_list":["post-11711","avada_portfolio","type-avada_portfolio","status-publish","format-standard","has-post-thumbnail","hentry","portfolio_category-archives-en"],"yoast_head":"\nMaurice Eliot, Elegant woman with parasol, Ballesteros Gallery<\/title>\n<meta name=\"description\" content=\"An Impressionist pastel by Maurice Eliot depicting an elegant woman with a parasol in a wheat field landscape, dated 1885.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, 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