{"id":10781,"date":"2024-12-28T14:38:52","date_gmt":"2024-12-28T14:38:52","guid":{"rendered":"https:\/\/galerieballesteros.fr\/portfolio-items\/gustav-bolin-1920-1999-beach-scene-at-antibes\/"},"modified":"2025-07-27T09:45:02","modified_gmt":"2025-07-27T09:45:02","slug":"gustav-bolin-1920-1999-beach-scene-at-antibes","status":"publish","type":"avada_portfolio","link":"https:\/\/galerieballesteros.fr\/en\/portfolio-items\/gustav-bolin-1920-1999-beach-scene-at-antibes\/","title":{"rendered":"Gustav BOLIN (1920 – 1999), beach scene at Antibes 1957"},"content":{"rendered":"

\"Gustav<\/a><\/div><\/div>
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Gustav Bolin<\/h2>\n

Gustav Bolin presents us with a summer beach scene, a moment from the summer of 1957 in Antibes, full of life and gaiety in a palette bathed in Mediterranean light.<\/strong><\/p>\n

Oil on canvas
\nSigned and dated 57 lower left
\nDimensions: 89 x 116 cm
\nWith frame: 103 x 130 cm<\/h6>\n
sold<\/h6>\n

” Between figuration and abstraction, his art is a perpetual search for independence and harmony. His characters move us, his labyrinths stun us, his lights soothe us: each painting is a singular adventure that cannot leave the attentive observer indifferent. <\/em> ”
\nBertrand Delano\u00eb – Preface to the Gustave Bolin exhibition at Paris City Hall in 2006.<\/p>\n

<\/div><\/div><\/span><\/h6>\n

Gustav Bolin, a sumptuous colorist<\/h3>\n

In this beach scene in Antibes, Gustav Bolin’s palette is bathed in Mediterranean light. Clarity radiates the entire surface of the canvas. Luminous colors in predominantly yellow and pink, punctuated by flecks of blue, rust, bright orange and green…<\/p>\n

Gustav Bolin’s art, between figuration and abstraction.<\/h3>\n

It takes some deciphering effort to assign a meaning to these indefinite contours, then appear the motifs represented, the elements of the decor. Painted in hasty strokes, his style does not belong to any movement, but he can be placed between abstraction and figuration.<\/p>\n

<\/div><\/div><\/h4>\n

Biography<\/span><\/h4>\n
\n

Painter of Swedish and Russian origin, born in Stockholm and died in Antibes.
\nGustav Bolin descended from a family of goldsmiths who supplied the Tsarist court in St. Petersburg, and later the Swedish royal family, for three generations.
\nGustav Bolin moved to France in 1921 and was introduced to art in the effervescence of Parisian cultural life. He studied under Emile Othon Friesz at the Acad\u00e9mie de la Grande Chaumi\u00e8re.
\nAfter spending a year in Stockholm in 1940, Bolin returned to France in an occupied Paris and spent time in the south of France, in Valence and Marseille, where he painted numerous landscapes alongside Charles Rollier, Alexandre Garbell and Pierre Tal Coat. <\/p>\n

In 1943, he made a “pilgrimage trip” to the Aix region in search of C\u00e9zanne, then decided to return to Paris and set up in the studio lent to him by Pierre Tal-Coat in the Plaisance district. This was the time of his first encounters with Picasso and many other artists, in the Montparnasse caf\u00e9s Le D\u00f4me and La Coupole, and in Saint-Germain-des-Pr\u00e9s, in the famous Caf\u00e9 de Flore.
\nGustav Bolin also met Diego Giacometti, who found him a studio close to his own, in the rue du Moulin-Vert.
\nHe became very friendly with Nicolas de Sta\u00ebl. <\/p>\n

His influences<\/p>\n

The influence of Cubism will be decisive, and this approach will play a role in regulating forms, establishing a search for synthesis, instilling a taste for concision and strengthening style to its quintessence. His teaching was based on this duality, which implies the eloquence of lyricism and the temperance of reflection.
\nFar from allowing himself to be carried away by sentiment, it was important to give a plastic unity to the forms retained, harmony no longer being the consequence of a code, but the logic of forms inspired by reality, which were then a kind of sensitive mirror of it.
\nGustav Bolin was a discreet, secretive artist, far too secretive for his reputation, who led an ascetic life without excess. <\/p>\n

His exhibitions<\/p>\n

In 1949, he signed contracts with several national and international galleries, notably in Stockholm, but also in New York and Tokyo. In 1973, the Mus\u00e9e Galliera in Paris exhibited a major group of his paintings alongside those of Bengt Lindstr\u00f6m. <\/p>\n

Dividing his time between his Paris studio and that in Antibes, Gustav Bolin spontaneously adapted his work to the location. He died in Antibes in August 1999. <\/p>\n

Outside France, he has exhibited in many countries, including Belgium, Italy, Sweden, Japan, the United States and Canada.<\/p>\n

<\/div><\/div><\/span><\/h6>\n

Exhibitions<\/h4>\n

France, Belgium, Italy<\/p>\n

1948, Galerie Pierre Loeb, Paris
\n1950, Galerie Art Vivant, Paris; Galerie du Haut-Pav\u00e9, Paris (with Bazaine, Nicolas de Sta\u00ebl, Est\u00e8ve, Lapicque, Tal Coat; ” Expression et Cr\u00e9ation “, Galerie Art Vivant, with de Sta\u00ebl, Villon, Bissi\u00e8re, Chatel, Cottavoz, Est\u00e8ve, Garbell, Germain, Lapicque, Masson, Miro, Poliakoff, Tal Coat
\n1957, “Convergence”, Galerie Art Vivant, Paris, with G. Asse, Germain, Debr\u00e9, Lanskoy, Lesieur, Rollier, de Sta\u00ebl
\n1959, Galerie de l’Ancienne Com\u00e9die, Paris, group of 25 painters
\n1960, Galerie Coard, Paris; Galerie Kriegel, Paris
\n1963, Galerie Charpentier, Paris; Galerie Kriegel, Paris
\n1965, Galerie Kriegel, Paris
\n1966, Galerie Kriegel, Paris
\n1969, Galerie Septentrion, Lille
\n1970, Galerie Ren\u00e9e Laporte, Antibes; Biennale de Menton
\n1973-1974, Mus\u00e9e Galliera, Paris (preface by Georges Boudaille)
\n1975, Galerie Art Streaming, Paris
\n1977, “L’aventure de Pierre Loeb”, Mus\u00e9e d’Art moderne de Paris
\n1979, Mus\u00e9e d’Ixelles, Brussels
\n1980, Galerie Coard, Paris
\n1981, “Fiac”, LeifStahle stand, Paris (Bolin, Germain, Lindstr\u00f6m)
\n1982, Swedish Cultural Centre, Paris
\n1983, Galerie Coard, Paris
\n1985, Galerie Coard, Paris
\n1988, Galerie Coard, Paris
\n1989, Galerie Coard, Paris
\n1990, “10 days with Sweden”, Grande Arche, La D\u00e9fense
\n1991, Galerie D\u00e9sir\u00e9, Lyon
\n1992, Galerie Coard, Paris
\n1993, Swedish Art Association of Paris
\n1995, “Retrospective”, Galerie Dionne, Paris
\n1999, Galerie Nicolas Deman, Paris; “Bolin, Lindstr\u00f6m, Cobra”, Ghironda Foundation, Bologna
\n2006, “Gustav Bolin, a Swedish painter in Paris”, Paris City Hall
\n2006, Retrospective, Galerie A Tempera, Le Louvre des antiquaires, Paris
\n2007, “Gustav Bolin, non-figurative period”, Galerie A Tempera, Le Louvre des antiquaires, Paris
\n2009, “Gustav Bolin, pastels” , Galerie Chauvy, Paris
\n2010, “Gustav Bolin, Peintures non-figuratives, Oeuvres In\u00e9dites 1970-1980”, Galerie Pierre-Francois Garcier, Paris<\/p>\n

Sweden<\/p>\n

1970, Eklunds Konsthandel, Ume\u00e5
\n1976, Sollefte\u00e5s Konstf\u00f6rening ; Stockholm ; Galleri Glimminge, Ystad
\n1977, Konstg\u00e5rden, Helsingborg
\n1978, Galleri Olga S, Stockholm
\n1981, International Art expo SIAE, Stockholm ; Galleri F\u00e5gels\u00e5ng Helsingborg ; Galleri Eklund Ume\u00e5
\n1982, Galleri F\u00e5gels\u00e5ng, Helsingborg ; International Art expo SIAE, Stockholm
\n1983, Galleri \u00d6stermalm Stockholm ; Agardsgalleriet, B\u00e5stad
\n1985, International Art expo SIAE, Stockholm
\n1987, Galleri Scandinavia, G\u00f6teborg
\n1989, Galleri \u00d6stermalm, Stockholm
\n1991, Galleri Scandinavia, G\u00f6teborg<\/p>\n

Japan<\/p>\n

1964, Nichido Gallery, Tokyo
\n1967, International Figurative Exhibition, Tokyo
\n1968, Nichido Gallery, Tokyo
\n1969, Nichido Gallery, Tokyo
\n1969, Tokyo Biennale, Tokyo International Salon<\/p>\n

United States<\/p>\n

1963, David Findley, New York
\n1967, David Findley, New York
\n1968, David Findley, New York<\/p>\n

Canada<\/p>\n

1983, Trevisan Gallery, Edmonton<\/p>\n<\/div>\n

<\/div><\/div>\n

Bibliography<\/h4>\n
\n
– Raymond Nacenta and Alexandre Garbell, Ecole de Paris – 1963, \u00c9ditions de la Galerie Charpentier Paris, 1963.<\/div>\n
<\/div>\n
– Gustav Bolin, preface by Georges Boudaille, Mus\u00e9e Galliera, Paris, 1973, 34 pp.<\/div>\n
<\/div>\n
– Jean-Jacques L\u00e9v\u00eaque, Gustav Bolin, Ch\u00eane\/Art Saint Honor\u00e9, Paris, 1990, 176 p.<\/div>\n
<\/div>\n
– Gustav Bolin, un peintre su\u00e9dois de Paris, Mairie de Paris, 2006, 39 p.<\/div>\n
<\/div>\n
– Lydia Harembourg, Dictionnaire des peintres de l’\u00c9cole de Paris, 1945-1965, \u00c9ditions Ides et Calendes, Neuch\u00e2tel, 1993.<\/div>\n<\/div>\n
<\/div>\n
<\/div><\/div><\/div>\n
\n

Source<\/h4>\n

https:\/\/fr.wikipedia.org\/wiki\/Gustav_Bolin<\/p>\n

http:\/\/pfdj.fr\/bolingustav\/savie.html<\/p>\n<\/div>\n

\n
<\/div>\n<\/div>\n<\/div>
<\/i>Contact<\/span><\/a><\/div><\/div><\/div><\/div><\/div>
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